May 28, 2018

An Enthralling Performance by Piano Kids

The State’s leading music institute Piano Kids celebrated its sixth anniversary with an evening of exhilarating piano music performed by an army of talented youngsters in chic costumes at the Pragjyoti Cultural Complex, Machkhowa, Guwahati, on April 6. The combined musical energy of these kids truly lived up to the expectations and interest among music aficionados. The musical programme, designed and directed by renowned piano maestro Kushal Krishna Dev Goswami, was titled ‘Night Of The Little Pianists 2018’.

After a welcome speech by Dr Pradip Mahanta, president of the working committee, the evening kicked off with the devotional tune – Muktito nispriha jitu, composed by Srimanta Sankardeva and Madhabdev, rendered and set to music by the students of the institute. As has been a tradition, Piano Kids showcased music that encompassed several genres, and the students with their sustained and focused learning, played them with admirable ease and comfort, making the evening a feast for music lovers and enthusiasts.

The institute continues to nurture and develop Assamese classics with timeless western and contemporary compositions in all its varied forms.

Apart from integrating western compositions, lush ballads and folk music from all over the world, reflecting a wide variety of musical influences, Kushal Krishna Dev Goswami has been assiduously working towards preserving, promoting and revitalising Assamese traditional songs, including the Borgeets, the tunes of Kirtan Ghosha and Naamghosha, Oja pali, Zikir and Jaris, by converting them into the staff notation. It has been central to his pioneering and acclaimed work in piano music, and which in turn, has provided a wonderful structure for the young and upcoming pianists to not only just learn and practice, but broaden their horizons, in a collective musical environment. “It has always been my vision to incorporate many of our traditional folk songs to the staff notation”, said Dev Goswami, after being felicitated by the organising committee, comprising mostly of guardians of the students. He also felt that these traditional Assamese songs needed to be disseminated elsewhere in the country and even abroad. He was quite appreciative of the efforts being put up by the students, who have gone through rigorous hours of training under his intense supervision in preparation for the big occasion. It has been a challenge for him shepherding and training a whole bunch of youngsters.

The evening proceeded with the students displaying their prowess and energy in a number of musical numbers comprising of the familiar lullaby ‘Aamaare Moina xuba ye..’, ‘We Shall Overcome’, which was once a key anthem of the African American civil rights movement in the fifties and sixties, legendary artist Dr Bhupen Hazarika’s immortal ‘Bistirno Paarore..’, which was influenced by Paul Robeson’s ‘Ol’ man river’, Kalaguru Bishnu Prasad Rabha’s ‘Naahor Phule Nuxuwaai..’, Australian composer Katherine Faith’s ‘Swans on the Lake’, French musician George Biscof’s ‘Morning Greetings’, ‘Maa Aami Sadiyale Jaamei’ - an evergreen number written by lyricist Keshav Mahanta and rendered by Khagen Mahanta, Kishore Kumar’s popular Hindi song ‘Ahh Chal Ke Tuje..’ from the film ‘Door Gagan Ki Chaon Main’, Jayanta Hazarika’s evergreen song ‘Mayamoi Rupali Jonak’ and finally, what has certainly been the highlight of the evening, a Bihu performance played on a track, which has been converted to staff notation for the first time by Goswami. Weaving a tapestry around Assamese, Boro, Seraa, Mishing and Tiwa Bihu, the group players engaged the audience with their dexterous movements, playing the tune in perfect harmony. Kushal Krishna Dev Goswami selected the track after going through a lot of research work, listening and collecting traditional tunes, and cataloguing them before laying out the notations. It has certainly left everyone in the audiences with a greater sense of appreciation for the enormous amount of work and creativity that the maestro has endeavoured to accomplish.

The evening also witnessed the felicitation of renowned music director of Assamese cinema Ramen Baruah, who graced the occasion as the chief guest. “The group playing is beautifully synchronised and disciplined, and the credit goes to Goswami for instilling such confidence to his students,” said Baruah, who was deeply impressed by the natural ability of the youngsters, some of whom are tiny tots. The organisers also felicitated Pronoy Bordoloi, executive editor, Prag News and Gita Dutta, Principal of Srimanta Shankar Academy. They too were quite effusive in their praise of the students and their principal. The programme was nicely compered by Roonjyoti Hazarika Bora and Papori Saikia Dowerah.

Prantik Deka


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